"David Bowie is" comes to Brooklyn

David Bowie is comes to Brooklyn

"David Bowie is" comes to Brooklyn

Park Slope
Beyond South Brooklyn

The Brooklyn Museum will be the final stop on the world tour of the critically acclaimed exhibition David Bowie is, on view from March 2 to July 15, 2018, and will include never-before-seen objects and exclusive items only on display during the Brooklyn Museum presentation.

The exhibition is the first retrospective of the extraordinary five-decade career of David Bowie--- one of the most pioneering and influential performers of modern times. Curated by Victoria Broackes and Geoffrey Marsh from the Department of Theatre and Performance at the Victoria and Albert Museum in London, David Bowie is explores the creative process of an artist whose sustained reinventions, innovative collaborations, and bold characterizations revolutionized the way we see music, inspired people to shape their own identities while also challenging social traditions.
 
Sennheiser, the official audio partner of the exhibition, will provide an immersive journey through the artistic influences that Bowie cited as formative. With unprecedented access to his personal archive, David Bowie is features more than 300 objects collected from his teenage years through his death in 2016-including handwritten lyrics, original costumes, photography, set designs, album artwork, and rare performance material.
 
"Since David Bowie is left the V&A, London in August 2013, nearly 1.8 million visitors have flocked to see the exhibition as it has travelled around the world, a testament to Bowie's depth, breadth and worldwide reach and the public's interest in the processes of creation behind such a uniquely influential performer. Bowie himself left England in 1974 to eventually settle in America, so we could not be more delighted that the final leg of the tour brings the show back to New York, where Bowie made his home," Victoria Broackes, Curator, V&A.
 
 "With mainstream appeal and yet an avant-garde heart, David Bowie was one of the most original artists of our times. He challenged the status quo and continually took us on new musical explorations with his forward-thinking and groundbreaking presentations. David Bowie continues to be the apex for many artists in wide-ranging disciplines," said Matthew Yokobosky, Director of Exhibition Design, Brooklyn Museum.

The exhibition explores the broad range of Bowie's collaborations with artists and designers in the fields of fashion, sound, graphics, theater, art, and film. On display are more than 60 stage costumes including Ziggy Stardust bodysuits (1972) designed by Freddie Burretti, Kansai Yamamoto's flamboyant creations for the Aladdin Sane tour (1973), and the Union Jack coat designed by Bowie and Alexander McQueen for the EART HL I NG album cover (1997). Also on show is photography by Brian Duffy, Terry O'Neill, and Masayoshi Sukita; album sleeve artwork by Guy Peellaert and Edward Bell; cover proofs by Barnbrook for the album The Next Day (2013); visual excerpts from films and live performances including The Man Who Fell to Earth (1976) and Saturday Night Live (1979); music videos such as Boys Keep Swinging (1979) and Let's Dance (1983); and set designs created for the Diamond Dogs tour (1974).
 
Alongside these are more personal items such as never-before-shown storyboards, handwritten set lists and lyrics as well as some of Bowie's own sketches, musical scores, and diary entries, revealing the evolution of his creative ideas.
 
"Music is a cultural force for good and I can think of few better examples than David Bowie as someone who has genuinely made the world a better and more interesting place through his unique talents in music, art and fashion," said Troy Carter, Global Head of Creator Services at Spotify. "We are honored to partner with the Brooklyn Museum on this exhibition to celebrate the life of this great man."

Tracing the creative aspirations of the young David Robert Jones (born 1947 in Brixton, London), it shows how he was inspired by innovations in art, theatre, music, technology, and youth culture in Britain in the aftermath of World War II. Pursuing a professional career in music and acting, he officially adopted the stage name "David Bowie" in 1965 and went through a series of self-styled changes from Mod to mime artist and folk singer to R&B musician in anticipation of the shifting nature of his later career. On display are early photographs, LPs from his musical heroes such as Little Richard, and Bowie's sketches for stage sets and costumes created for his bands The Kon-rads and The King Bees in the 1960s. This opening section concludes with a focus on Bowie's first major hit Space Oddity (1969) and the introduction of the fictional character Major Tom, who would be revisited by Bowie in both Ashes to Ashes (1980) and Hallo Spaceboy (1995). Inspired by Stanley Kubrick's 1968 film 2001: A Space Odyssey, the single was released to coincide with the first moon landing and was Bowie's breakthrough moment, granting him critical and commercial success as an established solo artist.

The exhibition moves on to examine David Bowie's creative processes from song writing, recording, and producing to designing costumes, stage sets, and album artwork. As he worked within both established art forms and new artistic movements, this section reveals the scope of his inspirations and cultural references from Surrealism, Brechtian theater, and avant-garde mime to West End musicals, German Expressionism, and Japanese Kabuki performance. On view are some of Bowie's own musical instruments, footage, and photography of recording sessions for Outside (1995) and Hours... (1999) as well as handwritten lyrics and word collages inspired by William Burroughs' "cut up" method of writing that have never previously been publicly displayed. David Bowie is chronicles his innovative approach to creating albums and touring shows around fictionalized stage personas and narratives. 1972 marked the birth of his most famous creation: Ziggy Stardust, a human manifestation of an alien being. Ziggy's daringly androgynous and otherworldly appearance has had a powerful and continuous influence on pop culture, signaling a challenge to social traditions and inspiring people to shape their own identities. On display is the original multi-colored suit worn for the pivotal performance of Starman on Top of the Pops in July 1972, as well as outfits designed for stage characters Aladdin Sane and The Thin White Duke. Costumes from The 1980 Floor Show (1973), album cover sleeves for The Man Who Sold the World (1970) and Hunky Dory (1971), alongside press cuttings and fan material, highlight Bowie's fluid stylistic transformations and his impact on social mobility and gay liberation.
 
There is also an area dedicated to the monochrome theatricality of Bowie's Berlin period and the creation of the stylish Thin White Duke persona identified with the Station to Station album and Stage tour (1976). It also investigates the series of experimental and pioneering records he produced between 1977 and 1979 while living in Germany, known as the Berlin Trilogy.
 
Several immersive audio-visual spaces present dramatic projections of some of Bowie's most ambitious music videos including DJ (1979) and The Hearts Filthy Lesson (1995), as well as recently uncovered footage of Bowie performing Jean Genie on Top of the Pops in 1973 and D.A. Pennebaker's film Ziggy Stardust and the Spiders from Mars: The Motion Picture (1973). A separate screening room shows excerptsand props from Bowie's feature films such as The Man Who Fell to Earth (1976), Labyrinth (1986) and Basquiat (1996).
 
The final section celebrates David Bowie as a pioneering performer both on stage and in film, concentrating on key performances throughout his career. This gallery traces the evolution of the lavishly produced Diamond Dogs tour (1974), the design of which was inspired by Fritz Lang's film Metropolis (1927) and George Orwell's novel Nineteen Eighty-Four (1949). The tour combined exuberant choreography by Toni Basil and a colossal set design, taking the combination of rock music and theater to new heights. On display are previously unseen storyboards and tour footage for the proposed musical that Bowie would eventually transform into the Diamond Dogs album and touring show.
 
David Bowie is also includes a display of striking performance and fashion photographs taken by photographers including Helmut Newton, Herb Ritts, Mick Rock, and John Rowlands.
 
David Bowie is will be a timed ticketed exhibition. Lightning Bolt tickets, which give attendees priority access to the exhibition, are available now through the run of the exhibition and cost $35. Exclusive packages start at $85. To purchase, visit www.brooklynmuseum.org or https://www.showclix.com/event/david-bowie-is.
 
Member tickets will be available on November 8, 2017 before standard tickets go on sale to the public. Brooklyn Museum Members receive free ticket(s) based on membership level. Benefits include priority access to the exhibition; free general admission for one year; and discounts on Museum programs, dining, and shopping.
 
Standard tickets go on sale Wednesday, November 15, 2017.  Standard tickets will cost $20 for Adults, $12 for Seniors and Students ages 13 and up, $6 for Children ages 4 - 12 on weekdays; and $25 for Adults, $16 for Seniors and Students ages 13 and up, $10 for Children ages 4 - 12 on weekends.

 

About the Brooklyn Museum

Founded in 1823 as the Brooklyn Apprentices' Library Association, the Brooklyn Museum contains one of the nation's most comprehensive and wide-ranging collections enhanced by a distinguished record of exhibitions, scholarship, and service to the public. The Museum's vast holdings span 5,000 years of human creativity from cultures in every corner of the globe. Collection highlights include the ancient Egyptian holdings, renowned for objects of the highest world-class quality, and the arts of the Americas collection, which is unrivaled in its diverse range from pre-Columbian relics, Spanish colonial painting, and Native American art and artifacts, to 19th- and early 20th-century American painting, sculpture, and decorative objects. The Museum is also home to the Elizabeth A. Sackler Center for Feminist Art, which is dedicated to the study and exhibition of feminist art and is the only curatorial center of its kind.

The Brooklyn Museum is both a leading cultural institution and a community museum dedicated to serving a wide-ranging audience. Located in the heart of Brooklyn, the Museum welcomes and celebrates the diversity of its home borough and city. Few, if any, museums in the country attract an audience as varied with respect to race, ethnicity, socioeconomic status, educational background, and age as the audience of the Brooklyn Museum.

The Archer, Station to Station tour, 1976. Photograph by John Robert Rowlands. © John Robert Rowlands
The Archer, Station to Station tour, 1976. Photograph by John Robert Rowlands. © John Robert Rowlands