Court Tree Gallery proudly presents the work of Japanese avant-garde artist Kishi Ui, opening January 19, 2018, and running through December 28, 2018.
Ui received critical acclaim in Japan before moving to America in the mid 70's. The full exhibit will be a three-part series entitled Story of 2½. This is his first solo exhbition since 1977. This three part series begins on Januray 19th 6 - 9pm with an opening party.
In Chapter One: 212-Fed-High, Ui presents the background of the “2½” conceptual framework through several pieces shown at the Court Tree Gallery between January 19th through the February 2, 2018.
Chapter Two: Banana-Topos is a video demonstration of the framework in action, also to be shown at Court Tree Gallery and available online on January 19th.
Chapter Three: The Lost Works, Ui’s most prominent historical pieces (1983 - 1985) will be exhibited at Court Tree Gallery's satellite space located at 750 7th Avenue in Midtown. The show runs from January 2nd until December 28, 2018.
Mountain and Triangles, 2017, Acrylic paint on canvas with vinyl tube and acrylic sheet, 30 x 40 × 1 1/2 in; Kishi Ui
As a moving belt-like line finds one direction, a shape floats up like a cell division. It reveals its body and another direction is initiated. The images flow from the simple form of the numeral 2. To the Westerner, words and images remain visually and physically neutral. For the Asian, words are images. Thus, Mr. Ui creates from one image a greater and more profound image through his art. "For me," he says, "signs like 2 or 7 demonstrate embodiment and 3 or 5 are seductive. They actually exist as wind exists. They can also be accepted as routine, everyday objects, like the plastics I often use."
Derived from these numbers, the shapes of lines and strings flow and float up and reveal their bodies as bananas, slippers, chairs and others, and these shapes can develop into sets such as two and a half. This is the inspiration behind works such as "2 and a half bananas after 2 and a half weeks."
Two and a half is an especially important concept for Mr. Ui because it exists between 2 and 3 and is half of 5. The number 2 symbolizes Dualism and Yin and Yang method. The Holy Trinity and thesis-antithesis-synthesis cycle are represented by the number 3. Currently, Mr. Ui has been developing a series based on the concept of "half of 5."
Mr. Ui moved to the United States in 1977 in order to come face to face with the world's most powerful and expressive works. Collectively, through his study and experience, Mr. Ui believes his method of layering texture leads the viewer into a sensation of touching the wind or seeing sunlight filter through trees. In college, the study of aesthetics and the literary arts introduced him to Heidegger, Sartre, Merleau-Ponty and Derrida. These philosophers urged him to think intuitively, then more sensuously, and influenced how he approached the philosophy of his homeland: Zen and Nishida Kitaro. Also, his primary education included a strong emphasis on Catholicism.
Since the content of Mr. Ui's works explore the concept of symbiotic and mutual relationships, it is only natural that this message extends to the works' relationship with viewers as well. They allow the viewer to explore these relationships and then encourage a response. He emphasizes this process throughout the entire creative process and says that "the idea of symbiotic relationships is everything."
Colors and Conception #1, 2017 Acrylic paint on canvas with vinyl tube and acrylic sheet, 20 × 16 × 1 1/2 in; Kishi Ui
ABOUT Court Tree Collective was established in 2013 by Amy Ng with the primary purpose of representing and supporting the work of emerging, mid-career, and established international contemporary artists. Their quaint 2nd floor gallery is conveniently located on Court Street in the historic Brooklyn neighborhood of Carroll Gardens. Since it's opening Court Tree Collective has has been a staple to south Brooklyn's emerging art scene and in a short time has exhibited a number of important exhibitions. In addition they have curated a number of exhibitions at satellite location throughout the states and abroad.